
plate no. 2995
John Ruskin, 1863
Recreating this painting will help students develop skills in atmospheric perspective and layering washes to create depth. It also provides practice in simplifying complex forms into basic shapes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the mountains and the horizon line.
Apply a thin wash of diluted blue for the sky, allowing it to blend softly.
Block in the main mountain masses with a light grey-brown mixture, varying the tone slightly.
Add darker values to the shadows and crevices of the mountains, using a slightly thicker paint consistency.
Introduce hints of green and brown to the lower slopes to suggest vegetation.
Use a dry brush technique to create texture on the mountain surfaces.
Add the suggestion of trees with small, dark strokes.
Refine the details and adjust the values to create a sense of depth and atmosphere.
color palette
primary · ultramarine blue · raw umber · titanium white
secondary · yellow ochre · burnt sienna
Mix ultramarine blue and raw umber with white to achieve the various grey tones for the mountains and sky. Add yellow ochre or burnt sienna to the raw umber for warmer earth tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a fine weave to allow for smooth blending. Consider pre-toning the canvas with a thin wash of raw umber for a warmer base.
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