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home·artworks·Rochers de Lanfon, Lake Annecy
Rochers de Lanfon, Lake Annecy by John Ruskin

plate no. 2995

Rochers de Lanfon, Lake Annecy

John Ruskin, 1863

oilRomanticismlandscapemountainsskylandscapetreeslake
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and layering washes to create depth. It also provides practice in simplifying complex forms into basic shapes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains and the horizon line.

  2. step 02

    Apply a thin wash of diluted blue for the sky, allowing it to blend softly.

  3. step 03

    Block in the main mountain masses with a light grey-brown mixture, varying the tone slightly.

  4. step 04

    Add darker values to the shadows and crevices of the mountains, using a slightly thicker paint consistency.

  5. step 05

    Introduce hints of green and brown to the lower slopes to suggest vegetation.

  6. step 06

    Use a dry brush technique to create texture on the mountain surfaces.

  7. step 07

    Add the suggestion of trees with small, dark strokes.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · raw umber · titanium white

secondary · yellow ochre · burnt sienna

Mix ultramarine blue and raw umber with white to achieve the various grey tones for the mountains and sky. Add yellow ochre or burnt sienna to the raw umber for warmer earth tones.

techniques

  • ·atmospheric perspective
  • ·dry brushing
  • ·layering washes
  • ·value control
  • ·simplification of form

common pitfalls

  • →Overworking the details and losing the overall atmospheric effect.
  • →Using too much dark paint too early, making the painting appear heavy.
  • →Failing to create a sense of depth through value changes.
  • →Making the colors too saturated, which will detract from the muted, atmospheric mood.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil
  • ·palette

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a canvas with a fine weave to allow for smooth blending. Consider pre-toning the canvas with a thin wash of raw umber for a warmer base.

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oil painting for beginners →how to learn by studying the masters →
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