apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rocas en el Cabo San Antonio, Jávea
Rocas en el Cabo San Antonio, Jávea by Rubén de Luis

plate no. 1393

Rocas en el Cabo San Antonio, Jávea

Rubén de Luis, 2020

canvas, oilImpressionismmarinarocksseaskycliffssailboatslandscape
suitable for beginners

This painting offers practice in layering colors to create depth and texture, particularly in the water and rocks. Students can also learn to simplify complex shapes into basic forms and capture the essence of a scene with loose brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the rocks, cliffs, and horizon line with a light pencil.

  2. step 02

    Block in the sky with a thin wash of light blue and white.

  3. step 03

    Establish the basic colors of the water, using varying shades of blue and hints of green.

  4. step 04

    Roughly block in the colors of the cliffs and rocks, focusing on the overall tones.

  5. step 05

    Add details to the rocks, using darker shades for shadows and lighter shades for highlights.

  6. step 06

    Develop the texture of the water with short, broken brushstrokes.

  7. step 07

    Paint in the sailboats with small strokes of white and gray.

  8. step 08

    Refine the details and adjust the values to create depth and atmosphere.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt sienna

secondary · viridian green · raw umber · cadmium yellow

Mix blues and greens for the water, adding white for highlights. Use yellow ochre and burnt sienna for the rocks, adding white and umber for variations. Mix greens from yellow and blue for vegetation.

techniques

  • ·broken color
  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Overworking the details, losing the freshness of the brushstrokes.
  • →Using too much paint, resulting in a muddy appearance.
  • →Ignoring the values, creating a flat and lifeless painting.
  • →Not simplifying the shapes, making the painting look too busy.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the brushstrokes. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann