
plate no. 8737
Thomas Lawrence, 1810
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating depth through value and color.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.
Block in the background with a dark, neutral color.
Establish the main light and shadow areas on the face and clothing using thin washes of color.
Begin building up layers of color on the face, paying attention to subtle variations in skin tone.
Define the features of the face, such as the eyes, nose, and mouth, with careful brushstrokes.
Add details to the clothing, including the collar and fur, using a variety of brushstrokes.
Refine the background and add any final details to complete the painting.
Glaze with thin layers to unify the painting and add depth.
color palette
primary · ivory black · burnt umber · cadmium red light · titanium white
secondary · yellow ochre · raw sienna · ultramarine blue
Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use ultramarine blue to cool down shadows. Create the dark background by mixing black and umber.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke