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home·artworks·Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh)
Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh) by Thomas Lawrence

plate no. 8737

Robert Stewart, 2nd Marquess of Londonderry (Lord Castlereagh)

Thomas Lawrence, 1810

oilRomanticismportraitportraitfigureclothingmanfacehistorical
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating depth through value and color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head and shoulders.

  2. step 02

    Block in the background with a dark, neutral color.

  3. step 03

    Establish the main light and shadow areas on the face and clothing using thin washes of color.

  4. step 04

    Begin building up layers of color on the face, paying attention to subtle variations in skin tone.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful brushstrokes.

  6. step 06

    Add details to the clothing, including the collar and fur, using a variety of brushstrokes.

  7. step 07

    Refine the background and add any final details to complete the painting.

  8. step 08

    Glaze with thin layers to unify the painting and add depth.

color palette

primary · ivory black · burnt umber · cadmium red light · titanium white

secondary · yellow ochre · raw sienna · ultramarine blue

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use ultramarine blue to cool down shadows. Create the dark background by mixing black and umber.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·layering

common pitfalls

  • →Getting the proportions of the face wrong.
  • →Overworking the details too early.
  • →Making the skin tones too flat or lifeless.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·mahl stick

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for layering.

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oil painting for beginners →how to learn by studying the masters →
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