apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Robert De Montesquiou
Robert De Montesquiou by Antonio de la Gándara

plate no. 9111

Robert De Montesquiou

Antonio de la Gándara, 1893

oilArt Nouveau (Modern)portraitportraitfiguremanrobedark backgroundhand
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and rendering fabric folds with light and shadow. It also provides practice in creating a sense of depth using a limited color palette and visible brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark underpainting.

  2. step 02

    Sketch the basic shapes and proportions of the figure, focusing on the pose and head position.

  3. step 03

    Block in the main areas of color: the skin tones, the robe, and the background.

  4. step 04

    Develop the values and forms of the face, paying attention to the light and shadow.

  5. step 05

    Refine the folds and details of the robe, using broken brushstrokes to create texture.

  6. step 06

    Add details to the hands and the object being held.

  7. step 07

    Adjust the overall composition and values to create a cohesive image.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt umber · ivory black · titanium white

secondary · raw sienna · ultramarine blue

Mix skin tones using yellow ochre, burnt umber, and white, with small amounts of blue for cooler shadows. The robe is primarily yellow ochre and white, with burnt umber for shadows. Darken colors with burnt umber and black.

techniques

  • ·scumbling
  • ·dry brushing
  • ·chiaroscuro
  • ·portraiture
  • ·alla prima

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the face wrong.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (yellow ochre, burnt umber, ivory black, titanium white, raw sienna, ultramarine blue)
  • ·Palette
  • ·Assorted brushes (round and flat)
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife
  • ·Rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

A pre-toned canvas with a dark underpainting will help to establish the overall value structure of the painting.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois