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home·artworks·Road Near La Côte-Saint-André
Road Near La Côte-Saint-André by Johan Jongkind

plate no. 3904

Road Near La Côte-Saint-André

Johan Jongkind, 1885

watercolor, chalkImpressionismlandscapelandscapetreeshillsfieldskyfigures
some experience helpful

Recreating this painting will help students develop skills in layering watercolor washes and creating texture with dry brush techniques. It also provides practice in simplifying complex scenes and capturing atmospheric perspective.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the horizon line, major landforms, and the placement of the trees.

  2. step 02

    Apply a light wash of diluted yellow ochre and raw sienna for the sky and distant hills.

  3. step 03

    Add a slightly darker wash of green and brown to the fields in the foreground.

  4. step 04

    Begin layering washes to define the shapes of the trees, using burnt sienna, raw umber, and touches of yellow.

  5. step 05

    Use a dry brush technique with darker browns and greens to create texture in the foliage and foreground.

  6. step 06

    Add details to the figures and the road with a fine brush and diluted brown paint.

  7. step 07

    Glaze over the sky with diluted blue to create the atmospheric perspective.

  8. step 08

    Add final touches and highlights with white chalk or opaque watercolor.

color palette

primary · yellow ochre · raw sienna · burnt sienna · raw umber

secondary · sap green · ultramarine blue · white (chalk or opaque watercolor)

Mix browns by combining burnt sienna and raw umber. Achieve greens by mixing yellow ochre and sap green. Use diluted ultramarine for the sky.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the washes and losing the transparency of the watercolor.
  • →Making the colors too saturated and losing the muted tones of the original.
  • →Not simplifying the details and trying to render every leaf or blade of grass.
  • →Failing to create a sense of depth and atmospheric perspective.

materials

surface · watercolor paper 140lb

required

  • ·Watercolor paints
  • ·Watercolor brushes (round and flat)
  • ·Watercolor paper (140lb)
  • ·Palette
  • ·Water container
  • ·Pencil
  • ·Eraser
  • ·Paper towels

optional

  • ·White chalk or opaque watercolor
  • ·Palette knife
  • ·Masking fluid

Use good quality watercolor paper to prevent buckling and allow for multiple washes. A variety of brush sizes will be helpful for different details.

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related guides

watercolor techniques →how to draw →color theory for painters →how to learn by studying the masters →
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