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home·artworks·Riverside, View of Abbeville
Riverside, View of Abbeville by Frits Thaulow

plate no. 7619

Riverside, View of Abbeville

Frits Thaulow, 1894

oil, canvasImpressionismcityscaperiverbuildingscityscapewaterskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in depicting reflections in water and creating depth through atmospheric perspective. It also provides practice in rendering architectural details with loose, impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the river banks, paying attention to perspective.

  2. step 02

    Block in the sky with a thin wash of pale blue and gray.

  3. step 03

    Establish the dark values of the water using a mix of blues, greens, and browns.

  4. step 04

    Begin adding details to the buildings, focusing on the play of light and shadow.

  5. step 05

    Develop the reflections in the water, using horizontal brushstrokes to suggest movement.

  6. step 06

    Add highlights to the water and buildings to create a sense of depth and dimension.

  7. step 07

    Refine the details of the buildings and the water, paying attention to the overall composition.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · ultramarine blue · burnt umber · yellow ochre

secondary · titanium white · cadmium red · viridian green

Mix various shades of blue and green with white and umber for the water. Use ochre and red for the buildings, adjusting with umber and white for shadows and highlights.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details of the buildings, losing the impressionistic feel.
  • →Creating too much contrast in the water, making it appear unnatural.
  • →Ignoring the perspective, resulting in a flat and unrealistic composition.
  • →Using too much detail in the background, flattening the depth.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·varnish

Use a medium-grit canvas for best results. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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