apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·River Scene with Jetty
River Scene with Jetty by Richard Jack

plate no. 2426

River Scene with Jetty

Richard Jack

oilImpressionismlandscaperivertreesboatjettyskyfigures
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and capturing the subtle color variations in natural light. It also provides practice in depicting reflections in water and creating a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, trees, and jetty.

  2. step 02

    Establish the sky with broad, blended strokes of light blues, grays, and creams.

  3. step 03

    Block in the distant trees and foliage with muted greens and browns, using a lighter value to suggest distance.

  4. step 04

    Paint the river, capturing the reflections of the sky and surrounding landscape with horizontal strokes.

  5. step 05

    Add the jetty and boat, paying attention to their shapes and the way they interact with the water.

  6. step 06

    Develop the foreground with details of grass, reeds, and wildflowers, using a variety of greens and browns.

  7. step 07

    Add the figures on the jetty and near the boat, keeping them small and simple.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · ultramarine blue · burnt umber · titanium white

secondary · yellow ochre · sap green · raw sienna

Mix various shades of green by combining blue, yellow, and brown. Achieve atmospheric perspective by lightening and muting colors as they recede into the distance. Use white to create highlights and lighten the overall tone.

techniques

  • ·wet-on-wet blending
  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·layering

common pitfalls

  • →Overworking the details in the distant areas
  • →Creating too much contrast in the foreground
  • →Failing to capture the subtle color variations in the sky and water
  • →Making the reflections too literal and symmetrical

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·linseed oil (if using oils)
  • ·mineral spirits (if using oils)

optional

  • ·palette knife
  • ·easel
  • ·medium gloss
  • ·rags

Use a medium-grain canvas for best results. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann