apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·River Bank with Tram
River Bank with Tram by Jakub Schikaneder

plate no. 5191

River Bank with Tram

Jakub Schikaneder

oilRomanticismcityscapestreettramtreesfiguresfogcityscape
some experience helpful

Recreating this painting will help students understand atmospheric perspective and how to create a sense of depth using muted colors and soft edges. It also provides practice in capturing the mood of a specific time of day and weather condition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tram, figures, and trees.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray or brown.

  3. step 03

    Block in the main color areas: sky, road, trees, and buildings.

  4. step 04

    Develop the atmospheric perspective by layering progressively lighter and cooler tones in the distance.

  5. step 05

    Add details to the tram and figures, keeping them soft and indistinct.

  6. step 06

    Refine the highlights and shadows to create a sense of depth and form.

  7. step 07

    Add subtle details like reflections on the wet street.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the mood.

color palette

primary · gray · burnt umber · raw sienna

secondary · cadmium red · ultramarine blue · yellow ochre

Mix various shades of gray by combining white, black, and a touch of burnt umber or blue. Achieve the reddish-brown tones of the trees by mixing burnt umber with cadmium red and a touch of yellow ochre.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·soft blending
  • ·scumbling

common pitfalls

  • →Overworking details and losing the atmospheric effect.
  • →Using colors that are too saturated or bright.
  • →Creating hard edges that break the illusion of depth.
  • →Failing to establish a clear value structure.

materials

surface · stretched canvas

required

  • ·Stretched canvas (12x16 inches)
  • ·Oil paints (gray, burnt umber, raw sienna, cadmium red, ultramarine blue, yellow ochre, titanium white)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Linseed oil
  • ·Assorted brushes (round and flat)
  • ·Rags

optional

  • ·Retouch varnish
  • ·Medium gloss

Use a limited palette to achieve color harmony. Consider using a toned canvas to establish a base color.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke