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home·artworks·Ritratto Di Ludovico Martinego
Ritratto Di Ludovico Martinego by Bartolomeo Veneto

plate no. 9856

Ritratto Di Ludovico Martinego

Bartolomeo Veneto, 1530

oilHigh Renaissanceportraitportraitfigureclothinghatdraperyscroll
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and subtle skin tone variations, as well as rendering complex fabric textures and patterns.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure, paying attention to the placement of the head, shoulders, and hands.

  2. step 02

    Establish the background with a dark, muted tone, gradually building up depth and subtle variations in color.

  3. step 03

    Block in the main areas of color for the figure's clothing, including the red hat, cloak, and black doublet.

  4. step 04

    Begin to refine the facial features, paying close attention to the subtle shifts in value and color that create form.

  5. step 05

    Add the details of the clothing, including the intricate patterns and textures of the fabric.

  6. step 06

    Work on the scroll, carefully rendering the text and the way it curls.

  7. step 07

    Refine the highlights and shadows throughout the painting, adding depth and dimension.

  8. step 08

    Add final details, such as the feather in the hat and the jewelry.

color palette

primary · cadmium red · ivory black · titanium white

secondary · yellow ochre · raw umber · gold

Achieve skin tones by mixing white, red, and a touch of yellow ochre. Darken colors with black and raw umber. Create the gold accents by mixing yellow ochre with a touch of metallic gold paint or bronze powder.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and dimension.
  • →Making the colors too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss
  • ·painting easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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