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home·artworks·Ritratto Della Moglie
Ritratto Della Moglie by Georges Rochegrosse

plate no. 0011

Ritratto Della Moglie

Georges Rochegrosse, 1883

oilArt Nouveau (Modern)portraitportraitfiguredresschairinteriorpainting
experienced study

This painting offers a chance to practice portraiture, capturing likeness and mood, as well as rendering complex fabric folds and textures with visible brushstrokes. Students can also explore color mixing to achieve the rich, muted tones of the interior and the figure's clothing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, focusing on the figure's pose and the placement of key elements.

  2. step 02

    Establish the background with broad washes of color, paying attention to the warm, muted tones.

  3. step 03

    Block in the main shapes of the figure, focusing on the dress and chair.

  4. step 04

    Begin refining the figure's features, paying attention to the light and shadow on the face.

  5. step 05

    Develop the details of the dress, using layering and broken color to create texture and depth.

  6. step 06

    Add details to the chair and background, such as the patterns on the fabric and the painting on the wall.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to bring the painting to life.

color palette

primary · burgundy · burnt umber · yellow ochre

secondary · pink · gold · ivory

Achieve the burgundy hues by mixing alizarin crimson with burnt umber. Use yellow ochre and white to create the warm highlights and muted background tones. Add small amounts of blue to darken the burgundy and create shadows.

techniques

  • ·broken color
  • ·scumbling
  • ·glazing
  • ·portraiture
  • ·fabric rendering

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Failing to capture the likeness of the figure.
  • →Creating muddy colors by overmixing.
  • →Ignoring the importance of light and shadow in creating form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burgundy, burnt umber, yellow ochre, titanium white, alizarin crimson)
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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