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home·artworks·Rio Santa Barnaba, Venice
Rio Santa Barnaba, Venice by Franz Richard Unterberger

plate no. 6380

Rio Santa Barnaba, Venice

Franz Richard Unterberger

oil, canvasRomanticismcityscapecanalbuildingsskyboatsfigurestower
some experience helpful

Recreating this painting will help students develop skills in perspective, color mixing for atmospheric effects, and capturing the texture of old buildings with visible brushstrokes. It also provides practice in rendering reflections in water and depicting figures in a cityscape.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, focusing on the perspective lines of the canal and buildings.

  2. step 02

    Block in the sky with light blue, adding hints of pink and white for clouds.

  3. step 03

    Establish the basic colors of the buildings, using a range of browns, yellows, and pinks.

  4. step 04

    Paint the water, capturing the reflections of the buildings and sky with horizontal brushstrokes.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural features.

  6. step 06

    Paint the boats and figures, paying attention to their shapes and colors.

  7. step 07

    Refine the details and add highlights and shadows to create depth and dimension.

  8. step 08

    Add final touches, such as birds in the sky and small details on the boats.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre · titanium white

secondary · cadmium red · raw umber · sap green

Mix various shades of blue with white and a touch of red or yellow to achieve the sky's subtle color variations. Use burnt sienna and yellow ochre mixed with white to create the warm tones of the buildings, and add small amounts of red or blue to adjust the hue.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·glazing

common pitfalls

  • →Failing to establish accurate perspective, leading to a distorted composition.
  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Using colors that are too saturated, creating a garish effect.
  • →Ignoring the subtle color variations in the sky and water.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ultramarine blue, burnt sienna, yellow ochre, titanium white, cadmium red, raw umber)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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