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home·artworks·Ring-a-Ring-a-Roses-Oh
Ring-a-Ring-a-Roses-Oh by Frederick Morgan

plate no. 5923

Ring-a-Ring-a-Roses-Oh

Frederick Morgan, 1885

oilRomanticismgenre paintingchildrenfigureslandscapetreesdoggrass
some experience helpful

Recreating this painting will help students develop skills in depicting figures in motion and capturing the nuances of light and shadow in a natural setting. It also offers practice in creating a sense of depth through atmospheric perspective and layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the overall landscape.

  2. step 02

    Establish the background with broad washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the figures, using simplified forms and values.

  4. step 04

    Begin refining the details of the figures, including clothing, facial features, and hair.

  5. step 05

    Add highlights and shadows to create form and dimension, focusing on the light source.

  6. step 06

    Develop the details of the landscape, including the trees, grass, and flowers.

  7. step 07

    Add final touches, such as small details and adjustments to the overall composition.

  8. step 08

    Glaze with thin layers to unify the colors and create depth.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cerulean blue · alizarin crimson · sap green

Achieve the warm, golden tones of the grass and foliage by mixing yellow ochre with burnt umber and a touch of white. Use cerulean blue and white to create the soft, hazy sky. Mix alizarin crimson with burnt umber to create the darker tones in the shadows.

techniques

  • ·figure drawing
  • ·atmospheric perspective
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Ignoring the atmospheric perspective and creating a flat, lifeless landscape.
  • →Getting the proportions of the figures wrong.
  • →Not blending the colors smoothly enough.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags
  • ·photo reference

Use a medium-grain canvas for best results. Consider using a limited palette of colors to simplify the mixing process.

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oil painting for beginners →how to learn by studying the masters →
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