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home·artworks·Riding on Neva river
Riding on Neva river by Alexey  Bogolyubov

plate no. 7590

Riding on Neva river

Alexey Bogolyubov, 1854

oil, canvasRomanticismcityscapecityscaperiverbuildingsskyfigurescarriages
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering distant architectural details. It also provides practice in creating a sense of depth and scale within a landscape.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major buildings and figures.

  2. step 02

    Establish the sky with a light blue wash, blending in subtle variations of gray and white for the clouds.

  3. step 03

    Block in the distant buildings with muted colors, paying attention to their relative size and placement.

  4. step 04

    Paint the frozen river with a base of white, adding subtle blues and grays to create the illusion of ice and snow.

  5. step 05

    Add the figures and carriages in the foreground, using darker values to create contrast and depth.

  6. step 06

    Refine the details of the buildings and figures, adding highlights and shadows to create form.

  7. step 07

    Use dry brush technique to add texture to the snow and buildings.

  8. step 08

    Glaze over the painting with thin layers of color to unify the composition and create atmospheric perspective.

color palette

primary · titanium white · ultramarine blue · raw umber

secondary · yellow ochre · burnt sienna · payne's gray

Mix white with small amounts of blue and umber to create the cool tones of the sky and snow. Use ochre and sienna for the buildings, and gray for shadows and distant details.

techniques

  • ·atmospheric perspective
  • ·dry brush
  • ·glazing
  • ·scumbling
  • ·linear perspective

common pitfalls

  • →Overworking the details in the distant buildings.
  • →Creating too much contrast in the sky.
  • →Failing to establish a clear sense of depth.
  • →Making the figures too large or too detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·payne's gray oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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