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home·artworks·Richmond, Yorkshire
Richmond, Yorkshire by Philip Wilson Steer

plate no. 8866

Richmond, Yorkshire

Philip Wilson Steer

oilImpressionismlandscapelandscaperivertreesskyreflectionfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and broken color techniques to create a sense of depth and light.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and major landforms.

  2. step 02

    Establish the sky with broad, blended strokes of light yellow and gray.

  3. step 03

    Block in the distant hills with muted blues and grays to create atmospheric perspective.

  4. step 04

    Add the darker masses of trees and foliage, using a variety of browns and greens.

  5. step 05

    Create the river reflection by mirroring the colors and shapes of the landscape above.

  6. step 06

    Use broken color techniques to add texture and detail to the foliage and water.

  7. step 07

    Refine the details and adjust values to enhance the overall sense of light and atmosphere.

  8. step 08

    Add final highlights to the foliage and water to create sparkle.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · sap green · raw sienna

Mix muted greens by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Achieve atmospheric perspective by adding white to colors to lighten and desaturate them.

techniques

  • ·broken color
  • ·wet-on-wet blending
  • ·atmospheric perspective
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details, losing the impressionistic feel.
  • →Using colors that are too saturated, resulting in a harsh or unrealistic landscape.
  • →Neglecting the importance of atmospheric perspective, causing the painting to appear flat.
  • →Failing to capture the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·painting knife

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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