apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Revolte
Revolte by Carlos Schwabe

plate no. 0507

Revolte

Carlos Schwabe, 1900

oilArt Nouveau (Modern)illustrationfiguresnudesskyhairemotionrebellion
experienced study

Recreating this painting will help students develop skills in figure drawing, understanding complex compositions, and using a limited color palette to create mood and atmosphere. It also encourages practice in rendering subtle tonal variations on skin.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the overall composition and placement of the figures.

  2. step 02

    Refine the sketch, paying attention to the proportions and anatomy of each figure.

  3. step 03

    Apply a thin underpainting using a neutral color like burnt umber to establish the basic values.

  4. step 04

    Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  5. step 05

    Paint the hair, using variations in color and value to create texture and movement.

  6. step 06

    Add details to the faces, focusing on capturing the expressions of each figure.

  7. step 07

    Paint the background sky and clouds, using a limited palette of blues and grays.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and impactful image.

color palette

primary · raw umber · titanium white · ivory black

secondary · burnt sienna · ultramarine blue · yellow ochre

Achieve skin tones by mixing raw umber and titanium white with small amounts of burnt sienna for warmth and ivory black for shadows. Mix blues and grays for the sky using ultramarine blue, ivory black, and titanium white.

techniques

  • ·figure drawing
  • ·tonal layering
  • ·limited palette
  • ·blending
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Muddy skin tones due to over-mixing
  • →Lack of value contrast
  • →Ignoring anatomical details

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Raw umber oil paint
  • ·Titanium white oil paint
  • ·Burnt sienna oil paint
  • ·Ivory black oil paint
  • ·Ultramarine blue oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Odorless mineral spirits

Use high-quality oil paints for best results. Consider using a medium like linseed oil to improve the flow of the paint.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois