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home·artworks·Reverend Monro Wilson
Reverend Monro Wilson by John Pettie

plate no. 0200

Reverend Monro Wilson

John Pettie, 1886

oilRomanticismportraitportraitfiguremanbeardclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in creating depth and form through subtle value changes and soft blending.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the overall composition, focusing on proportions and placement of the figure.

  2. step 02

    Establish the background with a thin wash of dark brown, leaving some areas slightly lighter to suggest depth.

  3. step 03

    Block in the main shapes of the face and beard with mid-tones, paying attention to the light and shadow patterns.

  4. step 04

    Begin layering in darker values to define the contours of the face and clothing.

  5. step 05

    Introduce lighter values to highlight the features and create a sense of volume.

  6. step 06

    Refine the details of the eyes, nose, and mouth, using small brushes and subtle color variations.

  7. step 07

    Add texture to the beard using short, broken brushstrokes and varying shades of brown and ochre.

  8. step 08

    Make final adjustments to the values and colors to achieve a realistic and harmonious effect.

color palette

primary · ivory black · burnt umber · yellow ochre · titanium white

secondary · raw sienna · cadmium red light

Mix skin tones by blending white, yellow ochre, burnt umber, and a touch of red. Use ivory black and burnt umber for dark areas, and lighten with white for highlights. Add raw sienna to warm up the beard color.

techniques

  • ·blending
  • ·layering
  • ·scumbling
  • ·value control
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unnatural.
  • →Losing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.

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oil painting for beginners →how to learn by studying the masters →
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