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home·artworks·Returning from the garden
Returning from the garden by Rupert Bunny

plate no. 0045

Returning from the garden

Rupert Bunny, 1906

oilImpressionismportraitfiguredressmirrorflowershatinterior
some experience helpful

This painting offers practice in rendering white fabric with subtle color variations and capturing reflections in a mirror. Students can also learn to create depth and texture through layering and brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, mirror, and main elements.

  2. step 02

    Establish the background color with a thin wash of red and add the floral pattern.

  3. step 03

    Block in the dark values of the mirror frame and shadows.

  4. step 04

    Begin layering the white dress, using different shades of white, gray, and hints of other colors to create form and texture.

  5. step 05

    Paint the reflection in the mirror, paying attention to the subtle differences in color and value.

  6. step 06

    Add details to the flowers and hat, using small brushstrokes to capture their texture and form.

  7. step 07

    Refine the details and adjust the values to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to complete the painting.

color palette

primary · titanium white · cadmium red · burnt umber

secondary · ultramarine blue · yellow ochre · rose madder

Achieve the various shades of white by mixing titanium white with small amounts of burnt umber, ultramarine blue, and yellow ochre. The red background is toned down with burnt umber.

techniques

  • ·layering
  • ·broken color
  • ·scumbling
  • ·glazing
  • ·color mixing

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Not paying attention to the subtle color variations in the white dress.
  • →Ignoring the effect of light and shadow on the form.
  • →Getting lost in details too early in the process.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for best results. A medium can be added to the paint to improve flow and drying time.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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