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home·artworks·Return of the Wounded Soldier
Return of the Wounded Soldier by Domenico Induno

plate no. 1597

Return of the Wounded Soldier

Domenico Induno, 1854

oil, canvasRomanticismgenre paintinginteriorfiguressoldierfamilywindowlight
some experience helpful

Recreating this painting will help students develop skills in depicting figures in an interior setting and capturing the effects of light and shadow to create depth and mood. Students will also practice rendering textures of different materials like wood, fabric, and skin.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and interior elements.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights.

  4. step 04

    Develop the details of the figures, paying attention to their expressions and gestures.

  5. step 05

    Render the textures of the walls, furniture, and clothing using a variety of brushstrokes.

  6. step 06

    Refine the color palette and adjust the values to create a sense of depth and atmosphere.

  7. step 07

    Add final details and highlights to bring the painting to life.

  8. step 08

    Varnish the painting to protect it and enhance its colors.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ultramarine blue · yellow ochre · ivory black

Achieve the warm, muted tones by mixing earth pigments with white and small amounts of other colors. Use glazes of transparent colors to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (burnt umber, raw sienna, titanium white, cadmium red, ultramarine blue, yellow ochre, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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