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home·artworks·Return from the Races
Return from the Races by Giuseppe de Nittis

plate no. 4455

Return from the Races

Giuseppe de Nittis, 1875

oil, canvasImpressionismgenre paintingfigureshorsescarriagestreesskylandscape
experienced study

Recreating this painting will help students develop skills in depicting figures in a crowd and capturing atmospheric perspective. It also provides practice in rendering movement and light using impressionistic brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements like the trees, figures, and carriages.

  2. step 02

    Block in the sky and ground with broad washes of color, paying attention to the atmospheric perspective.

  3. step 03

    Establish the basic shapes and values of the trees and foliage, using broken brushstrokes to suggest texture.

  4. step 04

    Start adding the figures, focusing on capturing their general forms and gestures rather than precise details.

  5. step 05

    Paint the horses and carriages, paying attention to their anatomy and movement.

  6. step 06

    Refine the details of the figures and horses, adding highlights and shadows to create depth.

  7. step 07

    Add final touches to the foliage and sky, adjusting the colors and values as needed.

  8. step 08

    Glaze with thin layers to unify the painting and create a sense of atmosphere.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium red · viridian green · ivory black

Mix various shades of green by combining yellow ochre, ultramarine blue, and a touch of burnt umber. Create atmospheric perspective by lightening and desaturating colors as they recede into the distance.

techniques

  • ·broken brushstrokes
  • ·atmospheric perspective
  • ·scumbling
  • ·glazing
  • ·alla prima

common pitfalls

  • →Getting bogged down in details too early in the process.
  • →Failing to capture the sense of movement and energy in the scene.
  • →Overworking the painting and losing the freshness of the impressionistic style.
  • →Not paying attention to the atmospheric perspective, which can flatten the image.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for good paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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