apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Return from the Ball
Return from the Ball by Henri Gervex

plate no. 0919

Return from the Ball

Henri Gervex

oilImpressionismgenre paintingfiguresinteriorcouchdresslampcurtains
experienced study

Recreating this painting will help students develop skills in rendering fabric textures, capturing subtle light variations, and creating a sense of depth through atmospheric perspective. It also provides practice in figure painting and composition.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major elements.

  2. step 02

    Establish the overall color scheme with thin washes of color, paying attention to the light and shadow patterns.

  3. step 03

    Block in the main shapes and forms of the figures, couch, and other objects.

  4. step 04

    Develop the details of the figures, including the facial features, clothing, and accessories.

  5. step 05

    Add texture to the fabric and other surfaces using a variety of brushstrokes.

  6. step 06

    Refine the lighting and shadows to create a sense of depth and dimension.

  7. step 07

    Add the final details, such as the flowers and the patterns on the dress.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the overall effect.

color palette

primary · ivory black · titanium white · raw umber

secondary · alizarin crimson · ultramarine blue · yellow ochre

Achieve the muted tones by mixing the primary colors with each other and with white. Use small amounts of alizarin crimson and ultramarine blue to create the darker shades.

techniques

  • ·dry brushing
  • ·scumbling
  • ·glazing
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Losing the sense of atmosphere and depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (18x24 inches) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann