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home·artworks·Retreating Storm On The Italian Coast
Retreating Storm On The Italian Coast by Oswald Achenbach

plate no. 5146

Retreating Storm On The Italian Coast

Oswald Achenbach

oilRomanticismlandscapecoastlinecloudsbuildingfigureswavessky
some experience helpful

This painting offers a great opportunity to practice atmospheric perspective and rendering complex cloud formations. Students can also learn to create depth through value and color variations.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line, the building's placement, and the main cloud shapes.

  2. step 02

    Establish the dark areas of the sky and sea with a thin wash of dark brown and blue.

  3. step 03

    Block in the lighter areas of the sky with yellows and whites, blending softly into the darker areas.

  4. step 04

    Paint the building using a mix of browns, grays, and ochre, paying attention to the light and shadow.

  5. step 05

    Add the coastline and foreground details, using a variety of browns, greens, and yellows.

  6. step 06

    Paint the figures with simplified shapes and values, focusing on their placement and interaction with the environment.

  7. step 07

    Add the waves and sea foam using white and light blue, capturing the movement of the water.

  8. step 08

    Refine details and add highlights to create depth and realism.

color palette

primary · burnt umber · yellow ochre · titanium white · ultramarine blue

secondary · raw sienna · ivory black · cadmium yellow

Achieve the atmospheric perspective by mixing lighter, cooler tones for distant elements and warmer, darker tones for foreground elements. Mix various browns by combining umber, sienna, and black.

techniques

  • ·atmospheric perspective
  • ·scumbling
  • ·dry brushing
  • ·glazing
  • ·blending

common pitfalls

  • →Overworking the clouds, resulting in a muddy appearance.
  • →Failing to establish a strong value structure, leading to a flat painting.
  • →Ignoring the atmospheric perspective, making the painting lack depth.
  • →Getting lost in details too early, before establishing the overall composition and values.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a toned canvas (e.g., raw umber wash) to establish a base value.

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oil painting for beginners →how to learn by studying the masters →
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