
plate no. 4207
Luis de Madrazo y Kuntz, 1870
This painting provides an opportunity to practice portraiture techniques, including capturing likeness and rendering skin tones. Students can also develop skills in depicting fabric and subtle details.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the head, shoulders, and background.
Establish the main light and shadow areas on the face and clothing.
Begin blocking in the background with a thin layer of brown paint.
Develop the skin tones by layering and blending colors.
Paint the dark clothing, paying attention to the folds and details.
Add highlights to the face, hair, and jewelry.
Refine the details of the eyes, nose, and mouth.
Make final adjustments to the values and colors to create a cohesive and realistic portrait.
color palette
primary · titanium white · burnt umber · ivory black · cadmium red light
secondary · yellow ochre · raw sienna · ultramarine blue
Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Use black and umber for the dark clothing, adding small amounts of blue or red to adjust the tone.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.
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