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home·artworks·Retrato de Josefa de Corte de Gargollo
Retrato de Josefa de Corte de Gargollo by Joaquín Manuel Fernández Cruzado

plate no. 3557

Retrato de Josefa de Corte de Gargollo

Joaquín Manuel Fernández Cruzado, 1832

oilRomanticismportraitportraitfiguredressjewelryhairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as understanding subtle value shifts to create form.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and proportions of the figure.

  2. step 02

    Block in the main shapes and values, focusing on the dark areas of the dress and hair.

  3. step 03

    Establish the background tone, blending it smoothly.

  4. step 04

    Develop the skin tones, paying attention to subtle variations in light and shadow.

  5. step 05

    Add details to the face, including the eyes, nose, and mouth, focusing on capturing the likeness.

  6. step 06

    Refine the details of the dress, hair, and jewelry, adding highlights and shadows to create depth.

  7. step 07

    Add the details of the hands and fan.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · titanium white · raw umber

secondary · yellow ochre · cadmium yellow light · burnt sienna

Mix blacks and whites to create a range of grays for the dress and background. Use small amounts of yellow ochre and burnt sienna to warm the skin tones.

techniques

  • ·portrait sketching
  • ·value studies
  • ·blending
  • ·layering
  • ·glazing

common pitfalls

  • →Getting the proportions wrong, leading to an inaccurate likeness.
  • →Overworking the details, resulting in a stiff and unnatural appearance.
  • →Failing to capture the subtle value shifts in the skin tones, making the face look flat.
  • →Not blending the background smoothly, creating a distracting texture.

materials

surface · stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Raw umber oil paint
  • ·Yellow ochre oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Palette
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Medium gloss
  • ·Burnt Sienna oil paint
  • ·Cadmium Yellow Light oil paint

Use high-quality oil paints for best results. A smooth canvas surface will make blending easier.

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oil painting for beginners →how to learn by studying the masters →
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