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home·artworks·Resurrection and Three Avogadri
Resurrection and Three Avogadri by Domenico Tintoretto

plate no. 0311

Resurrection and Three Avogadri

Domenico Tintoretto

oilMannerism (Late Renaissance)religious paintingfiguresangelslandscapearchitecturesoldiersreligious scene
experienced study

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating atmospheric perspective in a complex composition. It also provides practice in achieving realistic skin tones and capturing a sense of movement.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures.

  2. step 02

    Block in the main shapes and colors of the background landscape.

  3. step 03

    Begin to define the figures, focusing on proportions and anatomical accuracy.

  4. step 04

    Develop the drapery, paying attention to folds and highlights.

  5. step 05

    Establish the light source and begin to build up the highlights and shadows on the figures.

  6. step 06

    Refine the details of the faces, hands, and other important features.

  7. step 07

    Add the final details, such as the texture of the armor and the highlights in the landscape.

  8. step 08

    Glaze the painting to unify the colors and create depth.

color palette

primary · burnt umber · titanium white · cadmium red · yellow ochre

secondary · ultramarine blue · ivory black · raw sienna

Achieve flesh tones by mixing titanium white, cadmium red, and yellow ochre. Use burnt umber and ivory black to create shadows and depth. Mix ultramarine blue with white and a touch of red to create the sky.

techniques

  • ·figure drawing
  • ·drapery rendering
  • ·glazing
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Incorrect proportions of figures
  • →Overblending, resulting in a flat appearance
  • →Ignoring the light source
  • →Getting lost in the complexity of the composition

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·#2 round brush
  • ·#6 flat brush
  • ·#10 filbert brush
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

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oil painting for beginners →how to learn by studying the masters →
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