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Resting Tiger by LeRoy Neiman

plate no. 4011

Resting Tiger

LeRoy Neiman

oilImpressionismanimal paintingtigeranimalgrassjunglewildlifeportrait
some experience helpful

Recreating this painting will develop skills in expressive brushwork and color mixing to create a vibrant and dynamic representation of a subject. Students will learn to simplify forms and focus on capturing the essence of the subject through color and texture.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic outline of the tiger, focusing on proportions and pose.

  2. step 02

    Block in the background with broad strokes of green, blue, and purple.

  3. step 03

    Start applying the base colors for the tiger's fur: orange, yellow, and white.

  4. step 04

    Add darker values to create shadows and define the form of the tiger.

  5. step 05

    Introduce accent colors like red, pink, and blue to add vibrancy and interest.

  6. step 06

    Use short, expressive brushstrokes to create texture and movement in the fur.

  7. step 07

    Refine the details of the face, paying attention to the eyes and mouth.

  8. step 08

    Add final touches and highlights to enhance the overall impact of the painting.

color palette

primary · orange · yellow · white · green

secondary · red · blue · purple

Achieve the various shades of orange by mixing yellow and red with varying amounts of white. Create greens by mixing blue and yellow, and adjust the hue by adding small amounts of red or brown.

techniques

  • ·impasto
  • ·broken color
  • ·expressive brushwork
  • ·color layering
  • ·alla prima

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Getting bogged down in details and neglecting the overall composition.
  • →Using colors straight from the tube without mixing them to create subtle variations.
  • →Not establishing a clear value structure, resulting in a flat and lifeless painting.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·apron

Use heavy body acrylics or oils for best results in achieving the impasto effect. Consider using a textured canvas to enhance the brushwork.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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