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home·artworks·Restaurant De oude Vink
Restaurant De oude Vink by Max Liebermann

plate no. 9590

Restaurant De oude Vink

Max Liebermann, 1905

oilImpressionismgenre paintingtreesfiguresrestauranttableschairspark
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow with broken color and creating depth through atmospheric perspective. It also provides practice in simplifying complex scenes into essential shapes and values.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the overall layout of the restaurant scene.

  2. step 02

    Establish the main value structure by blocking in the darks and lights with thin washes of color.

  3. step 03

    Begin adding local color to the trees, tables, and figures, using broken color to create a sense of vibrancy.

  4. step 04

    Develop the foliage with short, choppy brushstrokes, varying the greens and yellows to suggest sunlight filtering through the leaves.

  5. step 05

    Refine the details of the figures and the restaurant, paying attention to their forms and their relationships to each other.

  6. step 06

    Add highlights and shadows to create depth and dimension, using thicker paint and more visible brushstrokes.

  7. step 07

    Glaze over areas to unify the color palette and create a sense of atmosphere.

  8. step 08

    Add final details and adjust values as needed to complete the painting.

color palette

primary · sap green · yellow ochre · burnt umber · titanium white

secondary · cadmium yellow · ultramarine blue · raw sienna

Mix greens by blending yellow ochre and ultramarine blue with varying amounts of white. Create earth tones by mixing burnt umber with yellow ochre and white. Use small amounts of cadmium yellow to brighten greens and add highlights.

techniques

  • ·broken color
  • ·wet-on-dry
  • ·scumbling
  • ·atmospheric perspective
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the freshness of the impressionistic style.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Ignoring the effects of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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