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home·artworks·Rest on the Flight to Egypt
Rest on the Flight to Egypt by Parmigianino

plate no. 9765

Rest on the Flight to Egypt

Parmigianino, 1524

oil, panelMannerism (Late Renaissance)religious paintingfigureslandscapetreesreligious scenechildrenfoliage
experienced study

Recreating this painting will help students develop skills in figure drawing, particularly rendering soft flesh tones and drapery, and understanding complex compositions with multiple figures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin building up the skin tones with layers of glazes, focusing on subtle shifts in color and value.

  4. step 04

    Develop the drapery, paying attention to the folds and highlights.

  5. step 05

    Paint the background foliage, using a variety of greens and browns to create depth.

  6. step 06

    Refine the details of the faces and hands.

  7. step 07

    Add highlights and shadows to enhance the three-dimensionality of the figures.

  8. step 08

    Apply a final glaze to unify the painting and adjust the overall color harmony.

color palette

primary · raw umber · titanium white · cadmium red light

secondary · yellow ochre · viridian · ivory black

Achieve skin tones by mixing white, red, and a touch of yellow ochre and raw umber. Use glazes of diluted colors to create depth and luminosity.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·sfumato
  • ·underpainting

common pitfalls

  • →Overworking the skin tones, resulting in a muddy or lifeless appearance.
  • →Failing to establish a strong value structure, leading to a flat and unconvincing composition.
  • →Neglecting the subtle shifts in color and value that create depth and realism.
  • →Getting lost in details before establishing the overall form and composition.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·viridian oil paint
  • ·ivory black oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·dammar varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the underpainting process.

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