apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Requiem
Requiem by Victor Borisov-Musatov

plate no. 1911

Requiem

Victor Borisov-Musatov, 1905

sanguine, watercolor, paperArt Nouveau (Modern)genre paintingfigureswomendressesarchitecturelandscapegarden
some experience helpful

Recreating this painting will help students develop skills in color mixing to achieve muted tones and layering washes to create depth and texture. It also provides practice in depicting figures in a landscape setting with soft, diffused light.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and architectural elements, paying attention to proportions and placement.

  2. step 02

    Apply a light wash of diluted burnt sienna or a similar earth tone to the entire paper as an underpainting.

  3. step 03

    Begin layering in the background landscape with soft washes of greens, blues, and browns.

  4. step 04

    Start building up the figures' forms with subtle color variations, focusing on the drapery and folds of the dresses.

  5. step 05

    Add details to the faces and hands, using a fine brush and diluted colors.

  6. step 06

    Define the architectural elements with slightly darker washes, creating shadows and depth.

  7. step 07

    Refine the details of the dresses, adding patterns and textures with a fine brush or dry brush technique.

  8. step 08

    Add final touches and highlights to create a sense of light and atmosphere.

color palette

primary · burnt sienna · ultramarine blue · yellow ochre · titanium white

secondary · alizarin crimson · viridian green · raw umber

Achieve the muted, harmonious colors by mixing complementary colors and adding white to soften the intensity. Use a limited palette to maintain color unity.

techniques

  • ·watercolor washes
  • ·dry brush
  • ·layering
  • ·color mixing
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the soft, atmospheric quality.
  • →Using colors that are too saturated and bright.
  • →Neglecting the importance of light and shadow in creating form.
  • →Failing to establish a strong composition and focal point.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paper 140lb
  • ·watercolor paints
  • ·round brushes (sizes 2, 6, 10)
  • ·flat brush (1/2 inch)
  • ·palette
  • ·water container
  • ·paper towels
  • ·pencil

optional

  • ·masking fluid
  • ·palette knife
  • ·kneaded eraser

Use high-quality watercolor paper to prevent buckling and allow for multiple washes. Experiment with different brush sizes to achieve varying levels of detail.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

watercolor techniques →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois