apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Repos Aux Champs
Repos Aux Champs by Thalia Flora-Karavia

plate no. 6358

Repos Aux Champs

Thalia Flora-Karavia

oilImpressionismlandscapetreefieldfiguresanimalsskylandscape
some experience helpful

This painting will help students develop skills in layering colors to create depth and texture, and in simplifying complex forms into expressive brushstrokes. It also encourages observation of light and shadow within a landscape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tree, figures, and horizon line.

  2. step 02

    Block in the sky with a thin wash of light gray and blue.

  3. step 03

    Establish the large shapes of the tree with dark green, paying attention to the shadows.

  4. step 04

    Add the field with varying shades of green, using horizontal brushstrokes.

  5. step 05

    Define the figures and animals with simple shapes and dark values.

  6. step 06

    Layer lighter greens and yellows to create highlights in the field and tree.

  7. step 07

    Add details to the figures and animals, keeping them simple and impressionistic.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed.

color palette

primary · sap green · yellow ochre · titanium white · ultramarine blue

secondary · burnt umber · cadmium yellow light · raw sienna

Mix greens by combining yellow ochre and ultramarine blue with varying amounts of white. Use burnt umber to darken greens and create shadows. Add small amounts of cadmium yellow light to create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·wet-on-dry layering
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the impressionistic feel.
  • →Making the colors too saturated and unnatural.
  • →Failing to establish a clear value structure.
  • →Not simplifying the forms enough.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (sap green, yellow ochre, titanium white, ultramarine blue, burnt umber)
  • ·round brushes (#4, #6, #8)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann