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home·artworks·Renaissance
Renaissance by Sergey Belik

plate no. 4167

Renaissance

Sergey Belik, 2014

oilMagic Realismstill lifestill lifevasesfruittableclothwindowsky
some experience helpful

Recreating this painting will help students develop skills in rendering form with subtle value changes and understanding how light interacts with different surfaces. It also provides practice in creating depth through atmospheric perspective in the background.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the vases, fruit bowl, and windows.

  2. step 02

    Block in the background with dark tones, gradually lightening towards the horizon line in the windows.

  3. step 03

    Establish the base color of the tablecloth and indicate the major folds and shadows.

  4. step 04

    Begin painting the vases, focusing on capturing the subtle shifts in value to create a sense of volume and form.

  5. step 05

    Paint the oranges, paying attention to the highlights and shadows to create a rounded appearance.

  6. step 06

    Refine the details of the window scene, including the sky, clouds, and distant landscape.

  7. step 07

    Adjust the values and colors throughout the painting to create a cohesive and harmonious composition.

  8. step 08

    Add final details and highlights to enhance the realism and depth of the painting.

color palette

primary · titanium white · ultramarine blue · burnt umber · cadmium orange

secondary · alizarin crimson · yellow ochre

Mix various shades of gray by combining white, blue, and umber. Use alizarin crimson and burnt umber to create the reddish-brown tones of the one vase. Mix orange and white to create the highlights on the oranges.

techniques

  • ·value studies
  • ·blending
  • ·atmospheric perspective
  • ·rendering form
  • ·color mixing

common pitfalls

  • →overworking details too early
  • →not establishing a strong value structure
  • →using colors straight from the tube without mixing
  • →ignoring the subtle color shifts in the shadows

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·cadmium orange oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·alizarin crimson oil paint
  • ·yellow ochre oil paint

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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