apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Remords
Remords by Carlos Schwabe

plate no. 4202

Remords

Carlos Schwabe, 1900

oilArt Nouveau (Modern)illustrationfiguresgraveyardnighttombghostslandscape
experienced study

Recreating this painting will help students develop skills in figure drawing, creating atmospheric perspective, and using a limited color palette to create a mood.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the tomb and figures.

  2. step 02

    Establish the dark background and tomb using dark blues and blacks.

  3. step 03

    Begin layering in the figures, starting with the ones furthest in the background, using thin washes of white and blue.

  4. step 04

    Gradually add more detail and definition to the figures in the foreground, building up layers of color.

  5. step 05

    Pay attention to the drapery and how it falls on the figures, using subtle shading to create form.

  6. step 06

    Add the details of the graveyard, such as the crosses and tombstones.

  7. step 07

    Refine the details of the faces and hair, using small brushes and delicate strokes.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · Prussian blue · Titanium white · Ivory black

secondary · Raw umber · Yellow ochre

Achieve the ghostly figures by mixing white with small amounts of blue and umber. Use more blue for figures further away to create atmospheric perspective.

techniques

  • ·Glazing
  • ·Scumbling
  • ·Atmospheric perspective
  • ·Figure drawing
  • ·Limited palette

common pitfalls

  • →Overworking the figures and losing the ethereal quality.
  • →Making the background too bright and overpowering the figures.
  • →Not paying attention to the proportions of the figures.
  • →Using too many colors and creating a muddy effect.

materials

surface · Stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brushes (sizes 6, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water (depending on paint type)
  • ·Soft cloth or paper towels

optional

  • ·Medium (glazing)
  • ·Retarder

Use a smooth canvas for best results. Consider using a toned canvas (light gray or blue) to help establish the dark background.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Kolo Moser

Kolo Moser

Koloman Moser

L'Atelier de Diebold Lauber

L'Atelier de Diebold Lauber

Léo Schnug

Family Gathering in Saint Idesbald

Family Gathering in Saint Idesbald

Georges Lemmen

The Kiss

The Kiss

Rose O'Neill

His grandmother had Told Him (from The Garden of Paradise)

His grandmother had Told Him (from The Garden of Paradise)

Edmund Dulac

Two girls

Two girls

Felice Casorati

Girl with a rose

Girl with a rose

Paul Mathiopoulos

The King

The King

Alexandre Benois