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home·artworks·Remembrance
Remembrance by James Charles

plate no. 0891

Remembrance

James Charles, 1897

oilImpressionismportraitfigurebuildingflowerslandscapechurchgrave
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing the subtle nuances of light and shadow in a complex scene. It also provides practice in depicting figures within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, the church, and the horizon line.

  2. step 02

    Block in the main color areas using thin washes of paint, establishing the overall color scheme.

  3. step 03

    Begin layering colors to build up the forms of the church, figure, and flowers, paying attention to light and shadow.

  4. step 04

    Add details to the figure's clothing and facial features, using smaller brushes and finer strokes.

  5. step 05

    Develop the texture of the church walls and roof with broken brushstrokes and varied colors.

  6. step 06

    Refine the details of the flowers and foliage, using highlights and shadows to create depth.

  7. step 07

    Adjust the overall color balance and value contrast to create a sense of atmosphere and mood.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · yellow ochre · titanium white · cadmium red

secondary · sap green · ultramarine blue · raw sienna

Mix various shades of brown and gray by combining burnt umber, yellow ochre, and titanium white. Achieve the red hues by mixing cadmium red with burnt umber for darker shades and titanium white for lighter tints. Create greens by blending yellow ochre and ultramarine blue.

techniques

  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Losing the overall sense of atmosphere and light.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas can help establish the overall color scheme.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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