
plate no. 7531
Thomas Sully, 1859
Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It will also provide practice in blending and creating soft transitions between values.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.
Establish the overall value structure with a thin wash of burnt umber or a similar earth tone.
Begin blocking in the main areas of color, focusing on the skin tones, hair, and clothing.
Refine the skin tones by layering and blending different shades of pink, yellow, and brown.
Add details to the face, such as the eyes, nose, and mouth, paying close attention to their placement and proportions.
Develop the hair by using small, broken brushstrokes to create texture and volume.
Refine the clothing and background, adding subtle details and shadows.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · raw umber · burnt sienna · ivory black
secondary · cadmium yellow · alizarin crimson
Mix skin tones by blending white, raw umber, burnt sienna, and small amounts of cadmium yellow and alizarin crimson. Use ivory black to create shadows and darker tones.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for blending and layering.
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