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home·artworks·Reflections (Arrangement in Pink and Blue)
Reflections (Arrangement in Pink and Blue) by Joseph DeCamp

plate no. 8299

Reflections (Arrangement in Pink and Blue)

Joseph DeCamp, 1901

oil, canvasImpressionismportraitfigureportraitreflectionchairdressinterior
some experience helpful

This painting offers a great opportunity to practice limited palette painting and capturing subtle light and shadow variations to create a sense of depth and atmosphere. Students will also learn to simplify complex forms and focus on the overall impression rather than precise details.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, chair, and reflection using a light pencil or thin wash of burnt umber.

  2. step 02

    Establish the overall value structure by blocking in the darkest and lightest areas with diluted paint.

  3. step 03

    Begin layering in the mid-tones, focusing on the subtle shifts in value and color temperature.

  4. step 04

    Develop the details of the figure's face and clothing, paying attention to the soft edges and blurred lines.

  5. step 05

    Work on the reflection, simplifying the forms and using lighter values to create a sense of distance.

  6. step 06

    Refine the brushwork, using loose, expressive strokes to capture the texture and atmosphere of the scene.

  7. step 07

    Add final highlights and shadows to enhance the sense of depth and dimension.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments to the values, colors, or edges.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · alizarin crimson · ultramarine blue

Achieve the warm, muted tones by mixing burnt umber and raw sienna with varying amounts of white. Use small amounts of alizarin crimson and ultramarine blue to create subtle color variations and shadows.

techniques

  • ·scumbling
  • ·blending
  • ·glazing
  • ·dry brushing
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the overall impression.
  • →Using too much color and creating a muddy effect.
  • →Failing to establish a strong value structure.
  • →Ignoring the soft edges and blurred lines.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·alizarin crimson oil paint
  • ·ultramarine blue oil paint
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas for best results. Consider using a toned canvas to establish a base color.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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