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home·artworks·Refectory Trinity Sergius Lavra
Refectory Trinity Sergius Lavra by Konstantin Yuon

plate no. 2824

Refectory Trinity Sergius Lavra

Konstantin Yuon, 1922

oil, canvasArt Nouveau (Modern)cityscapearchitecturebuildingfiguresskylandscapechurch
some experience helpful

Recreating this painting will help students develop skills in architectural rendering, color mixing for subtle variations, and creating a sense of depth through atmospheric perspective. It also provides practice in depicting figures within a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main architectural forms and the horizon line.

  2. step 02

    Establish the basic color blocks for the sky, buildings, and ground.

  3. step 03

    Mix the various shades of green for the roof and the ground, paying attention to subtle shifts in color temperature.

  4. step 04

    Develop the details of the building facades, including the intricate patterns and window details.

  5. step 05

    Add the figures, focusing on their shapes and placement within the scene.

  6. step 06

    Refine the details of the architectural elements, such as the columns and arches.

  7. step 07

    Adjust the values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · titanium white · cerulean blue · yellow ochre · cadmium red

secondary · viridian green · ultramarine blue · burnt sienna

Achieve the subtle greens by mixing yellow ochre with viridian green and a touch of blue. The building's patterned facade requires careful mixing of muted reds, oranges, and yellows with white to create the intricate design.

techniques

  • ·color mixing
  • ·atmospheric perspective
  • ·architectural rendering
  • ·figure painting
  • ·layering

common pitfalls

  • →Overcomplicating the initial sketch.
  • →Using colors that are too saturated.
  • →Failing to establish a clear value structure.
  • →Losing the sense of depth by not paying attention to atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·viridian green oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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