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home·artworks·Red Riding Hood
Red Riding Hood by John Everett Millais

plate no. 0351

Red Riding Hood

John Everett Millais, 1864

oilRomanticismportraitfigureportraitred hoodbasketfoliageprofile
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and drapery folds. It also offers practice in creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the hood and basket.

  2. step 02

    Establish the background with a thin wash of muted browns and greens.

  3. step 03

    Block in the main shapes of the red hood, paying attention to the light and shadow areas.

  4. step 04

    Begin refining the facial features, starting with the eyes, nose, and mouth.

  5. step 05

    Develop the folds and drapery of the hood, using darker values in the shadows and lighter values in the highlights.

  6. step 06

    Paint the basket and the foliage within, focusing on texture and detail.

  7. step 07

    Add final highlights and details to the face, hood, and basket.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of depth.

color palette

primary · cadmium red · titanium white · raw umber

secondary · viridian · yellow ochre · ivory black

Achieve the red hood's subtle variations by mixing cadmium red with small amounts of raw umber and white. Use viridian and yellow ochre to create the greens in the basket.

techniques

  • ·glazing
  • ·blending
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle nuances of the red hood's drapery.
  • →Ignoring the importance of value contrast in creating depth.
  • →Getting the proportions of the face wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for the brushwork.

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oil painting for beginners →how to learn by studying the masters →
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