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home·artworks·Red Deer Stag and Hind
Red Deer Stag and Hind by George Stubbs

plate no. 0425

Red Deer Stag and Hind

George Stubbs, 1792

oil, canvasRomanticismanimal paintingdeeranimalstreeslandscapeskyfield
some experience helpful

Recreating this painting will help students develop skills in animal anatomy, rendering fur texture, and creating atmospheric perspective in a landscape. It also provides practice in mixing subtle color variations to achieve realistic lighting and form.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the deer and the landscape elements.

  2. step 02

    Establish the horizon line and the main areas of light and shadow.

  3. step 03

    Block in the background colors, starting with the sky and then the distant fields.

  4. step 04

    Paint the trees, focusing on the overall shapes and values before adding details.

  5. step 05

    Begin painting the deer, starting with the underpainting to establish the form and musculature.

  6. step 06

    Layer in the fur texture, using small brushstrokes and varying the colors to create depth.

  7. step 07

    Add highlights and shadows to define the form and create a sense of realism.

  8. step 08

    Refine the details, such as the eyes, antlers, and hooves, and make any necessary adjustments to the composition.

color palette

primary · burnt umber · yellow ochre · titanium white

secondary · ultramarine blue · raw sienna

Achieve the deer's fur color by mixing burnt umber, yellow ochre, and white in varying proportions. Use ultramarine blue and white for the sky, and raw sienna for the grassy areas.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·blending

common pitfalls

  • →Incorrect proportions of the deer's anatomy.
  • →Overworking the fur texture, resulting in a flat or unrealistic appearance.
  • →Failing to create a sense of depth in the landscape.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (burnt umber, yellow ochre, titanium white, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine or mineral spirits
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended for beginners.

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oil painting for beginners →how to learn by studying the masters →
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