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home·artworks·Recovery of the corpse of St. Mark
Recovery of the corpse of St. Mark by Tintoretto

plate no. 8466

Recovery of the corpse of St. Mark

Tintoretto, 1566

oil, canvasMannerism (Late Renaissance)religious paintingfiguresarchitecturebuildingskystairscamel
experienced study

Recreating this painting will help students develop skills in depicting complex perspective, rendering human anatomy, and creating dramatic lighting effects. It also provides practice in layering and glazing techniques to achieve depth and luminosity.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and perspective of the buildings and figures.

  2. step 02

    Block in the main shapes and values using thin washes of burnt umber and raw sienna.

  3. step 03

    Establish the darkest and lightest areas to create a sense of depth and drama.

  4. step 04

    Begin layering in the local colors, focusing on the figures and architectural details.

  5. step 05

    Pay close attention to the anatomy of the figures, using highlights and shadows to define their forms.

  6. step 06

    Develop the background elements, such as the sky and buildings, using subtle color variations and soft blending.

  7. step 07

    Add details and highlights to create a sense of realism and texture.

  8. step 08

    Glaze over the entire painting to unify the colors and create a sense of atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white

secondary · cadmium red · ultramarine blue · yellow ochre

Achieve the flesh tones by mixing titanium white, cadmium red, and a touch of yellow ochre. Create the dark shadows by mixing burnt umber and ultramarine blue.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·perspective drawing
  • ·figure drawing

common pitfalls

  • →Getting lost in the details too early, before establishing the overall composition and values.
  • →Failing to accurately depict the perspective of the buildings and stairs.
  • →Overworking the colors and losing the sense of atmosphere.
  • →Not paying enough attention to the anatomy of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas (24x36 inches)
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (various sizes)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Allow each layer to dry completely before applying the next.

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