apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Reading in the garden
Reading in the garden by Nikolay Bogdanov-Belsky

plate no. 6181

Reading in the garden

Nikolay Bogdanov-Belsky, 1915

oilImpressionismgenre paintingfiguregardenflowersbenchreadingdress
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape setting and capturing the texture of fabrics and foliage with expressive brushstrokes. It also offers practice in color mixing to achieve the subtle variations in light and shadow.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the figure, bench, and background flowers.

  2. step 02

    Establish the basic color blocks for the background, using a mix of greens, yellows, and whites.

  3. step 03

    Block in the figure's form, paying attention to proportions and pose.

  4. step 04

    Begin adding details to the dress and shawl, focusing on the patterns and folds.

  5. step 05

    Develop the facial features and hands, using subtle shading to create form.

  6. step 06

    Refine the flowers, adding layers of color and texture to create depth.

  7. step 07

    Add highlights and shadows to enhance the overall sense of light and dimension.

  8. step 08

    Make final adjustments to the composition and details.

color palette

primary · yellow ochre · cerulean blue · alizarin crimson · titanium white

secondary · sap green · raw umber · cadmium yellow light

Achieve the greens by mixing blues and yellows, and the floral reds by mixing crimson with a touch of yellow. Use white to lighten colors and create highlights.

techniques

  • ·broken color
  • ·scumbling
  • ·alla prima
  • ·impasto
  • ·glazing

common pitfalls

  • →Overworking the details too early.
  • →Failing to establish a strong value structure.
  • →Getting the proportions of the figure wrong.
  • →Creating muddy colors by overmixing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann