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Reader by Giuseppe Tominz

plate no. 1560

Reader

Giuseppe Tominz, 1812

oil, canvasRomanticismreligious paintingfigurewomanbookdraperyreligioushalo
some experience helpful

Recreating this painting will help students develop skills in portraiture, including rendering skin tones and drapery folds, as well as understanding subtle value shifts to create form. It also provides practice in depicting a figure in a contemplative pose.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and the placement of the book.

  2. step 02

    Establish the background with a thin, dark wash.

  3. step 03

    Block in the main shapes of the figure, including the drapery and skin tones, using simplified color masses.

  4. step 04

    Begin refining the skin tones, paying attention to subtle value changes and highlights.

  5. step 05

    Develop the drapery folds, using darker values in the shadows and lighter values in the highlights.

  6. step 06

    Paint the book, focusing on its texture and form.

  7. step 07

    Add details to the face, including the eyes, nose, and mouth.

  8. step 08

    Refine the overall composition, adjusting values and colors as needed.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · cadmium red light · yellow ochre

Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Drapery colors are created by blending blue with white and umber for shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the subtle value changes in the drapery, resulting in a lack of form.
  • →Ignoring the importance of the background, which can affect the overall mood of the painting.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for painting.

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oil painting for beginners →how to learn by studying the masters →
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