
plate no. 1560
Giuseppe Tominz, 1812
Recreating this painting will help students develop skills in portraiture, including rendering skin tones and drapery folds, as well as understanding subtle value shifts to create form. It also provides practice in depicting a figure in a contemplative pose.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the figure's proportions and the placement of the book.
Establish the background with a thin, dark wash.
Block in the main shapes of the figure, including the drapery and skin tones, using simplified color masses.
Begin refining the skin tones, paying attention to subtle value changes and highlights.
Develop the drapery folds, using darker values in the shadows and lighter values in the highlights.
Paint the book, focusing on its texture and form.
Add details to the face, including the eyes, nose, and mouth.
Refine the overall composition, adjusting values and colors as needed.
color palette
primary · titanium white · burnt umber · ultramarine blue
secondary · cadmium red light · yellow ochre
Skin tones are achieved by mixing white, red, yellow ochre, and a touch of umber. Drapery colors are created by blending blue with white and umber for shadows.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-grain canvas will provide a good surface for painting.
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