apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Rain Shower in Garmisch
Rain Shower in Garmisch by Heinrich Bürkel

plate no. 7369

Rain Shower in Garmisch

Heinrich Bürkel

oilRomanticismlandscapebuildingsrainanimalslandscapetreessky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures in wet conditions. It also provides practice in depicting animal forms in motion.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the buildings, animals, and the horizon line.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray, paying attention to the atmospheric perspective.

  3. step 03

    Block in the main shapes of the buildings and trees using darker values and muted colors.

  4. step 04

    Add the details of the buildings, including the roofs, windows, and wooden structures.

  5. step 05

    Paint the animals, focusing on their anatomy and movement.

  6. step 06

    Render the rain and puddles, using light and dark values to create the illusion of wetness.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Refine the details and adjust the values as needed.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · cadmium red light

Achieve the muted tones by mixing complementary colors. Use white to create lighter values and blues/browns to create darker values. Mix a variety of grays for the sky and rain.

techniques

  • ·atmospheric perspective
  • ·wet-on-wet blending
  • ·dry brushing
  • ·scumbling
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the atmospheric perspective and creating a flat image.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·color chart

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke