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home·artworks·Raimundo de Madrazo in his Paris garden
Raimundo de Madrazo in his Paris garden by Joaquín Sorolla

plate no. 5702

Raimundo de Madrazo in his Paris garden

Joaquín Sorolla, 1906

oilImpressionismportraitportraitfiguregardentreesfoliagechair
some experience helpful

Recreating this painting will help students develop skills in capturing light and shadow on a figure and creating depth through layering and color temperature. It also offers practice in loose, expressive brushwork to convey texture and form.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the figure's proportions and placement within the garden setting.

  2. step 02

    Establish the main light and shadow areas on the figure and the background.

  3. step 03

    Block in the large shapes of color, starting with the darkest values and gradually adding lighter tones.

  4. step 04

    Develop the details of the face, paying attention to the subtle shifts in color and value.

  5. step 05

    Refine the clothing and background, using loose brushstrokes to create texture and interest.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Adjust the overall color balance and contrast to achieve a harmonious effect.

  8. step 08

    Add final details, such as the flowers and foliage, to complete the painting.

color palette

primary · titanium white · yellow ochre · burnt umber · ivory black

secondary · cadmium red · viridian green · ultramarine blue

Mix various shades of gray and brown by combining burnt umber, ivory black, and titanium white. Achieve the greens by mixing yellow ochre and viridian green, adjusting the ratio for different shades. Use cadmium red sparingly for accents.

techniques

  • ·alla prima
  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color temperature

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the subtle shifts in color and value.
  • →Creating a flat, lifeless painting by not paying attention to light and shadow.
  • →Getting the proportions of the figure wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round, flat, filbert)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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