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home·artworks·Raging River
Raging River by Hermann Ottomar Herzog

plate no. 6906

Raging River

Hermann Ottomar Herzog

oil, canvasRomanticismlandscapewaterfallrockstreesmountainsskyfoliage
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering the movement and texture of water. It also provides practice in creating depth through layering and value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the waterfall, rocks, and horizon line.

  2. step 02

    Establish the sky and distant mountains with thin washes of color, using lighter values for the sky and gradually darkening towards the foreground.

  3. step 03

    Block in the large shapes of the rocks and foliage, paying attention to their values and colors.

  4. step 04

    Begin to define the waterfall, using white and light blues to capture the movement and texture of the water.

  5. step 05

    Add details to the rocks and foliage, using smaller brushes to create texture and variation.

  6. step 06

    Refine the lighting and shadows, paying attention to the direction of the light source.

  7. step 07

    Add final details, such as highlights on the water and small branches on the trees.

  8. step 08

    Glaze with thin layers to unify the painting and adjust colors as needed.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · viridian green · cadmium yellow · alizarin crimson

Mix greens by combining yellow ochre and ultramarine blue, and adjust with white or burnt umber to create variations. Use white and ultramarine blue with small amounts of burnt umber to create the various shades of the sky and water.

techniques

  • ·atmospheric perspective
  • ·wet-on-dry layering
  • ·dry brush texture
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking details too early
  • →Failing to establish a strong value structure
  • →Using too much paint
  • →Ignoring atmospheric perspective

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Titanium white oil paint
  • ·Ultramarine blue oil paint
  • ·Burnt umber oil paint
  • ·Yellow ochre oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Odorless mineral spirits

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Retouch varnish

Use a medium-tooth canvas for best results. Consider pre-toning the canvas with a thin wash of burnt umber.

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oil painting for beginners →how to learn by studying the masters →
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