
plate no. 3505
George Frederick Watts, 1875
Recreating this painting will help students develop skills in portraiture, particularly in capturing likeness and subtle skin tones, as well as blending techniques to create soft transitions.
technical profile
approach — 8 steps
Sketch the basic shapes and proportions of the figures, paying attention to their relative sizes and positions.
Establish the background with a thin wash of neutral color.
Block in the main colors of the dresses and hair, focusing on the overall value structure.
Begin to refine the facial features, paying close attention to the placement of the eyes, nose, and mouth.
Develop the skin tones with subtle layers of color, blending carefully to create smooth transitions.
Add details to the dresses and hair, such as the lace trim and ribbons.
Refine the background and add any final details.
Varnish the painting to protect it and enhance the colors.
color palette
primary · burnt umber · raw sienna · titanium white · cadmium red light
secondary · ultramarine blue · yellow ochre · ivory black
Mix skin tones by blending white, red, and yellow ochre with small amounts of burnt umber and blue. Use thin glazes to build up color and create subtle variations.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Romantic Landscape
Karl Lessing

Self-portrait with his brother Francesco
Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie
Léon Cogniet

Duke of Alba
Francisco Goya

Blick Aus Dem Wald Ins Tal
Andreas Achenbach

Young Girl Fixing Her Hair
Sophie Gengembre Anderson

The Plough Inn
William Shayer

Hudson River Landscape
Johann Hermann Carmiencke