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home·artworks·Queen Zenobia's Last Look Upon Palmyra
Queen Zenobia's Last Look Upon Palmyra by Herbert Gustave Schmalz (Herbert Carmichael)

plate no. 8278

Queen Zenobia's Last Look Upon Palmyra

Herbert Gustave Schmalz (Herbert Carmichael), 1888

oilRomanticismhistory paintingfigurearchitecturecityscapeskycolumnshistorical
experienced study

Recreating this painting will help students develop skills in rendering complex drapery, architectural details, and atmospheric perspective. It also provides practice in depicting the human figure in a historical context.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main shapes: the figure, the architecture, and the distant cityscape.

  2. step 02

    Establish the horizon line and the position of the sun in the sky.

  3. step 03

    Block in the main color masses: the sky, the buildings, the figure's clothing, and the architectural elements.

  4. step 04

    Start refining the details of the figure, paying attention to the folds and shadows in the drapery.

  5. step 05

    Develop the architectural details, focusing on perspective and the play of light and shadow.

  6. step 06

    Add details to the cityscape, using lighter tones and softer edges to create atmospheric perspective.

  7. step 07

    Refine the highlights and shadows throughout the painting, adding depth and dimension.

  8. step 08

    Add final details, such as the jewelry, the soldiers, and the birds in the sky.

color palette

primary · ivory black · raw umber · titanium white · cadmium red

secondary · yellow ochre · ultramarine blue · burnt sienna

Mix various shades of gray and brown by combining black, white, and umber. Achieve the warm tones of the architecture by mixing yellow ochre, burnt sienna, and a touch of red. Use ultramarine blue and white for the sky, adding a touch of yellow ochre near the horizon.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Failing to create a sense of depth in the cityscape.
  • →Overworking the details and losing the overall sense of harmony.
  • →Not paying enough attention to the lighting and shadows.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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