apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Queen Elizabeth (1533–1603), Viewing the Performance of 'The Merry Wives of Windsor' at the Globe Theatre
Queen Elizabeth (1533–1603), Viewing the Performance of 'The Merry Wives of Windsor' at the Globe Theatre by David Scott

plate no. 1121

Queen Elizabeth (1533–1603), Viewing the Performance of 'The Merry Wives of Windsor' at the Globe Theatre

David Scott, 1840

oilRomanticismhistory paintingfigurestheatrecrowdarchitecturehistorical eventroyalty
advanced study

Recreating this painting will help students develop skills in depicting complex scenes with many figures, understanding atmospheric perspective, and capturing the mood of a historical event. It also requires careful observation of light and shadow to create depth and dimension.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of major elements.

  2. step 02

    Block in the main areas of color, focusing on the large shapes and values.

  3. step 03

    Establish the light source and begin to develop the highlights and shadows.

  4. step 04

    Start adding details to the figures, working from the background to the foreground.

  5. step 05

    Refine the details of the architecture and other elements in the scene.

  6. step 06

    Pay attention to the textures of the clothing and other materials.

  7. step 07

    Continue to refine the values and colors, creating depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · ultramarine blue

Achieve the muted tones by mixing earth tones with small amounts of other colors. Use glazes of thinned paint to create depth and luminosity.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the principles of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·damar varnish

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Romantic Landscape

Romantic Landscape

Karl Lessing

Self-portrait with his brother Francesco

Self-portrait with his brother Francesco

Giuseppe Tominz

Oenone Refuse de Secourir Pâris au Siège de Troie

Oenone Refuse de Secourir Pâris au Siège de Troie

Léon Cogniet

Duke of Alba

Duke of Alba

Francisco Goya

Blick Aus Dem Wald Ins Tal

Blick Aus Dem Wald Ins Tal

Andreas Achenbach

Young Girl Fixing Her Hair

Young Girl Fixing Her Hair

Sophie Gengembre Anderson

The Plough Inn

The Plough Inn

William Shayer

Hudson River Landscape

Hudson River Landscape

Johann Hermann Carmiencke