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home·artworks·Pygmalion and the Image I: The Heart Desires
Pygmalion and the Image I: The Heart Desires by Edward Burne-Jones

plate no. 4555

Pygmalion and the Image I: The Heart Desires

Edward Burne-Jones, 1869

oil, canvasRomanticismmythological paintingfigurearchitecturemythologystatuesdraperyinterior
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through atmospheric perspective. It also offers practice in achieving subtle color variations and capturing a classical aesthetic.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 7 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figures and architectural elements.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Develop the figure of Pygmalion, paying close attention to the folds of the drapery and the subtle variations in skin tone.

  4. step 04

    Paint the statues, focusing on capturing their smooth, sculpted forms and soft lighting.

  5. step 05

    Add details to the architectural background, creating a sense of depth and atmosphere.

  6. step 06

    Refine the colors and values throughout the painting, ensuring a harmonious overall effect.

  7. step 07

    Add final details and highlights to enhance the realism and visual interest of the artwork.

color palette

primary · ivory black · raw umber · yellow ochre · burnt sienna

secondary · ultramarine blue · cadmium red light · titanium white

Achieve the flesh tones by mixing white, yellow ochre, and a touch of red. Use ultramarine blue to create subtle shadows in the drapery and architecture. Mix raw umber and ivory black for the dark areas.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Incorrect proportions of the figures
  • →Overly harsh or flat lighting
  • →Lack of depth and atmosphere
  • →Inaccurate color mixing
  • →Overworking the details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·titanium white oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a high-quality canvas and artist-grade oil paints for best results. Consider using a medium to improve the flow and blending of the paints.

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oil painting for beginners →how to learn by studying the masters →
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