apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Punctual
Punctual by Paul-Albert Besnard

plate no. 1331

Punctual

Paul-Albert Besnard, 1900

etchingImpressionismgenre paintingfigureskullclockbeddeathinterior
some experience helpful

This painting is a great exercise in understanding value and line weight to create form and depth. Students will learn how to use hatching and cross-hatching to build up tonal values and suggest textures.

technical profile

palette complexity
1
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: the sleeping figure, the skull-like figure, the bed, and the clock.

  2. step 02

    Begin adding the darkest values using dense hatching and cross-hatching, focusing on the background and areas of shadow.

  3. step 03

    Gradually build up the mid-tones by adding more layers of hatching, varying the line weight and spacing.

  4. step 04

    Use lighter, more delicate hatching to define the lighter areas of the figures and the bed.

  5. step 05

    Pay attention to the direction of the hatching to suggest the form and contours of the objects.

  6. step 06

    Add details such as the features of the skull and the details of the clock.

  7. step 07

    Refine the overall composition by adjusting the values and adding more contrast where needed.

  8. step 08

    Add the artist's signature.

color palette

primary · sepia · ivory black

secondary · none

This image is essentially monochromatic, so focus on achieving different values of sepia or black through varying the density of lines.

techniques

  • ·hatching
  • ·cross-hatching
  • ·line weight variation
  • ·value gradation
  • ·contour drawing

common pitfalls

  • →Making the hatching too uniform, resulting in a flat and lifeless image.
  • →Not varying the line weight enough, which can make the drawing look too light or too heavy.
  • →Losing the overall composition by focusing too much on small details.
  • →Not paying attention to the direction of the hatching, which can flatten the forms.

materials

surface · smooth drawing paper

required

  • ·Fine liner pens (various sizes)
  • ·Drawing paper
  • ·Pencil
  • ·Eraser
  • ·Ruler
  • ·Reference image

optional

  • ·Tracing paper
  • ·Magnifying glass

Use archival quality pens and paper to ensure the longevity of your drawing.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

color theory for painters →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

View of the Bosphorus and Rumeli Hisarı

View of the Bosphorus and Rumeli Hisarı

Sevket Dag

Paysage du Midi

Paysage du Midi

Armand Guillaumin

Self-Portrait

Self-Portrait

Frederic Bazille

Tip of the Bay

Tip of the Bay

Max Kurzweil

Long Stemmed Lovelies

Long Stemmed Lovelies

Pino Daeni

At Rosetta, Lower Egypt

At Rosetta, Lower Egypt

John Varley II

House from Oltenia

House from Oltenia

Theodor Pallady

Jewish quarter in Amsterdam

Jewish quarter in Amsterdam

Max Liebermann