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home·artworks·Prophet Isaiah
Prophet Isaiah by Fra Bartolomeo

plate no. 4501

Prophet Isaiah

Fra Bartolomeo, 1516

oilHigh Renaissancereligious paintingfigureprophetreligiousdraperycolumninscription
experienced study

Recreating this painting will help students develop skills in rendering realistic drapery folds and creating subtle gradations of light and shadow to model form. It also offers practice in portraiture and capturing a sense of weight and volume.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the overall composition and proportions of the figure and background.

  2. step 02

    Block in the main shapes and areas of color, focusing on the large masses of drapery and the background.

  3. step 03

    Establish the light source and begin to build up the values, starting with the darkest shadows and gradually working towards the highlights.

  4. step 04

    Refine the details of the face, hands, and inscription, paying close attention to the subtle variations in tone and color.

  5. step 05

    Develop the folds and textures of the drapery, using a combination of blending and layering techniques.

  6. step 06

    Add the details of the background, including the column and architectural elements.

  7. step 07

    Glaze the painting to unify the colors and create a sense of depth.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · ultramarine blue · cadmium red light

Achieve the warm flesh tones by mixing yellow ochre, burnt umber, and titanium white. Use ultramarine blue and cadmium red to create the cooler tones in the shadows and the blue drapery.

techniques

  • ·underpainting
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·modeling

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Oversimplifying the drapery folds.
  • →Failing to create a convincing sense of depth and volume.
  • →Using colors that are too saturated or unnatural.

materials

surface · stretched canvas

required

  • ·Stretched canvas (18x24 inches)
  • ·Oil paints (yellow ochre, burnt umber, titanium white, ultramarine blue, cadmium red light)
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Assorted brushes (round and flat)
  • ·Palette
  • ·Palette knife
  • ·Rags

optional

  • ·Medium gloss
  • ·Retouch varnish

Use high-quality oil paints for best results. Allow each layer of paint to dry completely before applying the next.

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