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Profile by Edmund Charles Tarbell

plate no. 0055

Profile

Edmund Charles Tarbell, 1900

pastel, paperImpressionismportraitportraitfigurewomanprofilehairface
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and soft blending techniques. It also provides practice in capturing subtle light and shadow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the head, neck, and hair.

  2. step 02

    Establish the background color with a thin, even layer.

  3. step 03

    Block in the main areas of light and shadow on the face and neck using broad strokes.

  4. step 04

    Begin refining the skin tones by layering and blending different shades of pink, peach, and brown.

  5. step 05

    Add details to the eyes, nose, and mouth, paying attention to their subtle shapes and values.

  6. step 06

    Develop the hair, using short, directional strokes to create texture and volume.

  7. step 07

    Refine the edges of the figure and hair to create a soft, atmospheric effect.

  8. step 08

    Add final highlights and shadows to enhance the form and create depth.

color palette

primary · titanium white · burnt sienna · cadmium red light · ultramarine blue

secondary · yellow ochre · raw umber · alizarin crimson

Achieve skin tones by mixing white, red, sienna, and a touch of blue. Use ultramarine blue and white for the background, adding small amounts of sienna for variation. Mix burnt sienna and raw umber for the hair.

techniques

  • ·soft blending
  • ·layering
  • ·color mixing
  • ·scumbling
  • ·hatching

common pitfalls

  • →Overworking the blending, resulting in a muddy or flat appearance.
  • →Using too much white, which can make the skin look chalky.
  • →Failing to capture the subtle variations in skin tone.
  • →Ignoring the direction of light and shadow, which can flatten the form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt sienna oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas for easier blending. Consider using a toned canvas to help establish the overall color harmony.

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color theory for painters →how to learn by studying the masters →
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